Free Play Network News
Issue No. 5, April - May 2004
Contents
Free Play Network News is edited by Nicola Butler, Free
Play Network Manager. We welcome contributions and comments from
readers, so if you would like to suggest issues to cover or have
comments on the articles included please let us know by emailing
nbutler at equality.uk.com.
East of the sun and west of the moon
Information from Helle Nebelong on a new accessible playground
in Copenhagen
Building owner: The City of Copenhagen
Landscape Architect: Stine Cecilie Brink
Project Manager: Helle Nebelong
Artists: Arabesk and Ebbe Laurs Sørensen

East of the sun and west of the moon - is the name of a
new accessible playground located in the south-eastern part of Copenhagen.
A Norwegian fairytale has inspired to the design of this new 4.000
square metre playground.
The fairytale is about a prince, who has been transformed to a
gigantic polar bear and a poor girl, who set out for a dangerous
journey. She has to go through a lot of challenges, before she manages
to save the prince. On her way she meets a lot of fantastic fairytale
figures.
There has been a close co-operation between the City of Copenhagen's
professionals and brilliant craftsmen, who have transformed stones
of granite and tree trunks into fairytale figures and unique play
equipment.
It is a public place for all children to come irrespective of age,
rank, ability, disadvantages and competencies.
From the beginning of the design process accessibility was given
a high priority.
There are winding paths up and down the hillocks. They have different
degrees of slopes, which gives the children different challenges.
If one can't get up and down the steepest path one must choose the
slightly less steep path. The paths kerbs keeps wheelchair-users
and the blind "on the right path".
A path with obstacles
There is a special path with different obstacles for the children
to master. Here they can climb, crawl or jump from one obstacle
to another and develop their gross motor skills. At the same time
the path gives one many tactile experiences. The muscular system
gets strengthened as do fine motor skills: catching, letting go,
adjusting one's footing and experiencing different kind of surfaces.
Experiences of different materials, different smells and colours
gives identity to this special path.
For disabled children, the obstacle path provides a challenge for
them to crawl forward on their stomachs if their legs are paralysed
to develop strenght in their arms.

Although the place is specially designed to meet the needs of disabled
children, it gives challenges to children who are not disabled.
The unique equipment has different functions and can be used in
lots of different ways.
The polar bear, the poor girl and the ugly princess with the long
nose are amongst the many figures to be recognised in the playground.
All the sculptures are there to be looked at, touched, climbed on
or lifted upon or just to charm the children.
The play equipment has been built with degrees of difficulty. It
can be used by children and youngsters with different types of disability.
There are many different sense experiences in the shape of pretty
flowers beautiful plants and fantastic natural materials which one
can see and touch. Everything has been built using good solid materials
and used imaginatively by the artists.
The Danish national committee for the disabled 2003 has supported
the production of a leaflet, which was sent out to all the 270 counties
in Denmark to inspire and encourage everyone to think about, how
playgrounds in the future throughout Denmark can be accessible to
every child.
More photos (and more information in Danish) are available at:
http://www.vejpark.kk.dk/publikationer/pdf/oestenforsolen.pdf.
Registering Summer Schemes
By Sandra Melville, PLAYLINK Director
Ofsted has asked us to remind people planning to run summer play
schemes to apply in good time for checks on staff to be carried
out by the Criminal Records Bureau and Social Services. Providers
should let their Regional Centre know immediately that they intend
to set up a holiday play scheme, whether funding is confirmed or
not. This will allow the Centre to organise their work in order
to process holiday play schemes quickly.
As soon as they can, providers should follow up with a completed
application form, making clear that it is for a holiday scheme,
since the work of processing an application cannot begin until the
form has been received. We are told that Regional Centres understand
the urgency of registering holiday playschemes, and are preparing
their work plans in order to ensure resources are in place to meet
demand.
CRB checks are much improved and are now usually processed within
3 weeks. Ofsted will not normally require checks for staff where
it can be shown they have been checked within the last three years,
so staff employed last summer by providers running holiday playschemes
should not need to have checks repeated. However, there may be individual
circumstances where Ofsted, or the registered person themselves,
wants the employee to be re-checked.
The contact information for Regional Offices is available at http://www.ofsted.gov.uk/childcare (click
on the relevant part of the map in the Local Regions box). An initial
telephone query should be to the London helpline on 0845 601 4771.
If they can't help, they will refer on to the appropriate Regional
Centre.
Play in Hull
By Sandra Melville
Over the last few months, PLAYLINK has been working with local
officers to develop a play policy and strategic objectives for Hull
City Council. The plan is to move to implementation as soon as the
policy has been endorsed by Cabinet. This successful first phase
of the work to improve play opportunities for the City's children
was celebrated by the Hull Creative Play Network with a well attended
and lively conference held on an April Saturday. The Free Play Network
was delighted to be able to sponsor the event and make contact with
120 people actively engaged in work with children.
7th PLAYLINK / Portsmouth Conference
Whose Learning is it: Creating Environments for Children
By Sandra Melville
The aim of PLAYLINK/Portsmounth conferences has always been to
create opportunities for the exchange of ideas between those involved
in play and those with different areas of expertise that could contribute
to thinking creatively about how we provide for children's play.
The impetus for this year's conference, held in March with the
title 'Whose Learning Is It', was concern about play in the context
of schools. There were theoretical and research based presentations
on: what makes for a good learning environment for children; the
Swedish approach to education, play and learning; how to identify
what children want from their play environments. And there were
practical sessions with a case study on the transformation of the
playground at the Daubeney School in the London Borough of Hackney
and work with schools to transform children's experience of playtime.
Materials from these presentations is now posted at: http://www.freeplaynetwork.org.uk/new/pcc01.htm.
An innovation this year was to seat delegates at round tables providing
comfortable space to lay out papers and rest a cup of coffee. It
certainly encouraged a highly engaged set of discussions in the
afternoon, each led by someone with practical experience of working
with schools on play and breaktime, identified by contacts made
through the Free Play Network.
Thee are several national organisations with a strategic interest
in the development of a better understanding of play and learning
in school settings. Following on the conference, PLAYLINK is convening
a group to look at how this work can be co-ordinated and promoted.
We would also be glad to facilitate contact for Network members
who would be interested in talking to those membrs currently carrying
out play projects with schools.
Public Space Manifesto
By Sandra Melville
'Many playgrounds are now so dull that children reject them in
favour of more exciting and potentially dangerous places.' 'We...will
encourage people to make decisions that give more weight to the
benefits of interesting spaces than to the perceived risks.'
These statements come from the new, 10-point Manifesto for Better
Public Spaces published by CABE Space. This recently established
unit at the Commission for the Built Environment is charged with
developing and implementing the Government's policy in relation
to green and other public space. The Manifesto clearly indicates
their understanding of the needs and wishes of children for a variety
of play opportunities in public spaces.
PLAYLINK was involved in the consultation to develop the Manifesto
and has signed up to it. We would encourage members of the Free
Play Network to do the same. Visit http://www.itsyourspace.org.uk where you
can also get information on funding for transforming public spaces.
The 51 Minute Challenge
By Nicola Butler
The '51 Minute Challenge' conference, organised by the National
Youth Agency, along with The Children's Play Council, Groundwork
UK and the Commission for Architecture and the Built Environment
(CABE), was designed to look at the 51 minutes (on average) of every
waking hour that children spend out of school and to look at solutions
to provide children and young people with opportunities to play,
socialise and develop.
The conference included presentations from Danish landscape architect
Helle Nebelong (see East of the sun and west of the
moon, above, and other material on design posted on http://www.freeplaynetwork.org.uk/design)
and Parliamentary Under Secretary of State Yvette Cooper, along
with a range of workshops including how to address intergenerational
conflict, opportunities for extended schools, and consulting with
children and young people.
Further information on initiatives covered in the conference are
available from:
Playwork Principles
By Sandra Melville
The first phase of consultation on the important review of the
playwork 'Assumptions and Values', now being referred to as the
playwork 'Principles', has ended. The review is being conducted
by Play Wales and PLAYLINK has given its support to the process.
Comments from playworkers on an initial consultants' draft have
gone to a group of principals with a variety of experience in play
and playwork. Following their amendments, the document setting out
the Principles will be available for wider comment.
Because of the strategic importance of this piece of work, we have
written to the Play Wales Director setting out our position at this
stage and indicating that we expect to respond to the second consultation.
You can view the text of the letter on the Free Play Network website. Further information about the Play
Wales consultation is available at: http://www.playwales.org.uk/values.
On the benefits of self-build
In the last edition of Free Play Network News, we published
a letter from Robin Sutcliffe of Sutcliffe
Play arguing for the benefits of including manufactured fixed
equipment in adventure playgrounds. We received the following two
responses from Ted Keen, an adventure play worker in Sheffield,
and Simon Rix of Haringey Play Association.
From Simon Rix
"Thanks for publishing Robin Sutcliffe's thoughts on fixed equipment.
"The fact that children are not able to alter fixed equipment is
one of the crucial issues here. While it could be argued that sufficient
loose parts will empower children to adapt their environment, it's
not at all the same
"Additionally, playworkers who have their equipment bought in and
have not been involved in the construction are A. precious about
the equipment and won't allow children to "damage" it and B. don't
know how to fix it when it goes wrong. There's also the question
of concrete foundations and their build up. Either they are removed
at huge expense or the whole site becomes concrete and you can't
dig/build on it at all.
"The question of the play value of formulaic and it could be said
staid designs and whether they answer the play needs of children
is very pertinent, especially as timber is hard to get for free
now and a structure may stand for a long time before it's adapted.
"I think that the answer is to go back to the experts - the children.
Hackney and Haringey play associations have been conducting some
very successful design and build projects which have aimed to put
the children back into the driving seat. We've undertaken some long
consultations which empower children to make informed choices about
play environments, going to visit places and criticising them and
then going on to criticise their adventure playground. One playground
had a major piece rechristened the 'boring platform' during one
of these projects, illustrating Robin's point.
"The most recent of these projects resulted in a build of extraordinary
vision and far reaching consequences. The architect, an eleven year
old girl, had come up with the concept and had promoted it to the
other children on the site as answering their play requirements,
so it was voted for. The architect came every evening after school
and put on her hard hat to carry out her inspection and ask her
questions. Afterwards she issued us with an architect's certificate.
"It was an odd looking thing, the structure, mainly traditionally
built with a couple of techniques pinched from skate park builders,
and the children not only play on it, but own it because they were
involved from conception to construction and use."
And, on the relative positions of playwork in respect of
hitting your thumb with a hammer
"... Hammering nails is a primeval occupation. The urge to strike
one object against another goes back to our prehuman history when
our ancestors survived through achieving the skill of extracting
bone marrow from carcasses which other creatures couldn't get hold
of It's great to see your nail disappearing into the timber and
this is a clue to why you're doing it. A small child will hammer
a nail into anything and will carry on hammering as long as there
are nails. Later the child may make patterns with nails, finally
they'll hammer to join pieces of wood together - the journey from
experiential to formative thinking and a door to cause and effect.
"To build shelters, to construct, to affect the world around you
are needs of children that most people, playworker or not will recognise,
but why do these needs mean that playworkers should build their
own structures?
"Self build structures say 'this place is different from other
places because we make it and change it when we want to'. That's
an important message to the child entering a play setting because
it is permissional. Seeing and working with playworkers who are
changing the play environment gives the child confidence to do and
to ask to be facilitated to do. The danger of the play environment
becoming too precious and staid is avoided because the equipment
isn't being 'spoiled' by change and the finishes etc won't be scarred
by the odd nail.
"Then there are the materials. On a self build site it is likely
that there will be spare timber around and the tools to work with
it, these tools including playworkers who have the experience and
confidence to allow and support the children in their construction
endeavours.
"From the point of view of running a site, self build has a lot
of distinct advantages. The playworker who has built their own structures
knows and understands them and will be able to repair them or adapt
them to accommodate an unforeseen hazard. They are more likely to
make effective risk assessments, identify mitigations to high risks
and carry them out. There's an advantage here because the site will
have fewer hazards on it, the hazards are more likely to be recognised
and remedied quickly and cheaply. If the structures have been built
properly, then they will not have concrete foundations, allowing
them to be removed easily and new ones made and set in without having
to break out a load of cement. This will be quicker and cheaper.
Don't forget that a site carpenter can earn £200 a day. If
a playworker can lay claim to those skills then why are playworkers
on £7.00 or under an hour?
"The children have a right to be consulted and involved in matters
that affect them. We should take this as particularly important
in respect of play because we understand what play is doing for
children and are champions of the right to play. A properly conducted
design and build consultation will hand control of the play environment
over to its users by giving them the tools and the opportunity to
discover what is possible, decide what they prefer and criticise
what they have. The children who renamed a large the 'boring platform'
during a consultation, illustrate how lack of consultation can miss
the goal. This is not to say that children can't be consulted, as
they should be, on off the shelf purchases but the design process
of a self build can give much more opportunity to dream and to pick
and mix ideas which will fit into the space or landscape available.
I think that the overall results are increased play opportunities
and increased ownership of the play environment, as well as developing
the childrens skills to criticise, analyse, design and negotiate.
"These arguments are not applicable in all circumstances, of course.
There are plenty of situations where self build is inappropriate
- where there's nobody to look after it, where there's poor security
and the site can't be closed at night etc. But, where there is the
chance to self build, I think that it makes the job of playwork
more fulfilling and the service offered to the children more effective.
And from Ted Keen
'Christmas Present Playground'
"I was called out the other day to view a new 'Adventure Playground'
in Sheffield.
"Well nearly as exciting, the ski village are building an adventurous
playground and wanted someone to assist in the risk assessment.
"Forty foot structures, climbing walls, absolutely massive pipe
slides and an Ariel runway. All very exciting and made of enough
wood to wear out a woodpeckers beak.
"Entry Fee three pounds fifty a session of three hours with rangers
to supervise it alongside the parents who are admitted free of charge
to help supervise.
"With birthday parties on site, in attractive wooden chalets, at
charges that will be great value to some parents. I can see a lot
of children using it.
"I do have to look cynically at the three hour session with the
escape clause that parents are allowed in free. This is where the
whole thing wanders into the realm of what I call "fixed playground
syndrome". We all know that children, these days are usually accompanied
by their parents when visiting park playgrounds. We also all know
that there is very little to support the parents staying on most
such sites for more than a few minutes. No tea, toilets, seating
etc. So although the playground is there all the time, the children
are most definitely not.
"Throw in the odd bruise and torn clothing and the three hour session
will definitely have a thirty minute feel!
"This playground, like many others borrows the idea of wooden adventurous
structures from what we call adventure playgrounds. Their structures
however are the equivalent of the Christmas present - akin to the
train set chosen by Dad, must be treated with care, cost a packet,
only runs on its track, must be carefully handled and only played
with when a parent has the time/patience to get it out and put it
away again. Thus providing years of residual play value!
"Unlike the big outer cardboard box that the train set came in.
This has little value to adults, so belongs to the child, it can
be cut, coloured, manipulated and used with a child's imagination,
little negative adult intervention and is therefore packed with
actual play value. Much like a self build adventure playground as
we know it.
"Which play worker, wanting to keep his/her job, is going to take
a hammer saw or even a tin of paint to a Christmas present structure
with only the excuse that the children wanted to change it? Put
on your child's eyes glasses on and ask yourself if you would really
prefer a Christmas present playground"?
If you have a view on the value of self-build or fixed equipment
in adventure playgrounds please let us know by emailing: nbutler
at equality.uk.com.
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